October marks another annual celebration of Black History Month, a time dedicated to celebrating the important contributions and achievements of black people throughout history.
Royston chats with Female First
From politics to science and sports, there’s no industry exempt from the influence of black talent, an accolade that should be celebrated in all its glory. As we learn the many ways by which these individuals have made their mark on the world, it’s important to recognise the tremendous black talent that has very much shaped the entertainment industry as we know it today. From dancers to singers and models, these performers are exceptional in every sense of the word, and have often faced hurdles and blockages that others in the industry simply haven’t.
Royston is an entertainment industry expert; he has worked as a successful dancer in the US, choreographed dance routines for some of the biggest A-list celebs (Rita Ora, Ray BLK and MNEK to name a few!) and owns RnD Creatives, a talent agency for people working in the arts. From dancers to models, make-up artists and hairstylists, there’s no one Royston can’t find and he really is on every celeb’s speed dial!
From performing as a street dancer in his early years to gracing international stages with the likes of Michael Jackson, Royston’s career is iconic and his experience is truly admirable. To celebrate Black History Month and better understand how black people are represented within the entertainment industry, Royston discusses his journey to the top, and how he feels the performing arts have progressed, both in the UK and across the pond.
What does Black History Month mean to you?
Black History Month is a time to recognise the importance of our culture, community and history. There is not an aspect of art, fashion, music or culture that we haven’t influenced! There’s honestly so much to celebrate, a month’s simply not enough.
What struggles have you experienced as a black dancer?
I don’t know if my struggles can be attributed to race; I don’t have any other experience to compare it to. I’m held to a high standard as a performer, but my journey certainly hasn’t been a walk in the park... what I think’s most important is that I’ve always risen to the occasion. I’m sure racial bias exists and this undoubtedly stems from people’s lack of knowledge and their own insecurities, but I choose to focus on being the best I can be. I have no say in my race, I’m black and unapologetically so.
Do you think the industry has changed its attitude towards black dancers from when you started out, compared to now?
In the UK there is a lack of mainstream black artists, so the opportunities are fewer and the need for diversity is prevalent. Black dancers, females especially, can be stereotyped based on their bodies and ‘look’. Although, I definitely think it’s got better with the broader demographic of talent that’s out there now. For example, Adele casting the amazingly talented Mack Wilds as the male lead in her Hello video would not have happened when I first started out in the business.
Have the black singers/dancers that you have worked with experienced difficulties in the industry due to being black?
I don’t know what conversations happen before my company RnD Creatives get the call for a gig. What I do know is that once I’m on a job as a singer, choreographer or a representative for a dancer, no one will be treated any less than professionally and fairly. Whether the issue is based around someone’s race, gender, religion or orientation, I’ll ensure its rectified immediately.
How does your culture influence your work/dancing?
My style and groove are heavily influenced by my upbringing, Jamaican background and the reggae, hip hop, RnB/soul music I grew up listening to. This fusion is in my DNA and it’s very much a part of why I’m so sought after.
Did being black affect your career in the US? If so, more or less than in the UK?
When I was in the US, I think people were more intrigued by the fact that I was black with an English accent. My accent was a selling point way beyond my skin and it was always amusing hearing professionals imitate my voice! In the US there are definitely more outlets for black artists and thus more opportunities.
Has your dance style been stereotyped based on you being black?
Sometimes, but it’s about perspective. I don’t look at being black as being less than any other race, so if someone wants me, I’m not thinking about the jobs they wouldn’t book me for and why. People know my nature, character and the vibe that is a part of my choreographic style.
How would you like the industry to progress moving forward?
I think we’re in a great space, as dancers and creatives are fighting for their right to be heard and positioned in the right way within the industry. There’s an organisation called Dancers Network that I’m supporting and am very excited about.
Do you think being black has affected the pace at which your career has developed? Do you think other performers have found success more quickly simply because of their skin colour?
Ok, the political answer would be “no, of course not!” but honestly, yes. There is no proof, however, if talent was the sole factor in a dancer’s trajectory, I believe the ratio of ‘top’ dancers would be more diverse.
Which black artists do you think people need to keep an eye out for in 2019?
In the UK we have a great roster of pioneering talent, from RnB to pop, hip hop, grime and dancehall. My favourites have to be Ray BLK, Ella Mai, MNEK and Stefflon Don, although I might be a little bias!
Are there any black artists/professionals who have inspired you particularly? (Including artists you have and haven’t worked with).
Yes, my mentor Priscilla Samuels is on the top of my list. Then, the greats like Fatima Robinson, Tanisha Scott, Jamal Simms, Dwayne Nosworthy, Vanessa Amadi, Wale Adeyemi, Teddy Altifois, I could go on and on...
How do you think black people have shaped the entertainment industry?
Just like every culture has its niche, black people have a strong footprint in music, dance, sports and entertainment. I know without them there would definitely be some hidden gems.
Which experiences/performances stick out in your mind as defining moments in your career?
Working with Jamelia and Beenie Man! That video was an iconic collaboration between a UK artist and a Jamaican artist, everyone was dressed in Victorian period attire which truly made it one for the books. Also, working on Estelle’s American Boy album which went global. Featuring on one of the album’s singles and being the only British professional on set is something I’ll never forget!
How do you celebrate Black History Month?
I celebrate by flying the flag, celebrating its arrival and doing important interviews like this one. I also don’t just do this for a month, it’s a lifestyle.
Lastly, what do you think about the MOBO Awards being cancelled this year?
I think it’s a huge shame, because it’s such a staple for the UK entertainment industry and a lot of artists and creatives look forward to celebrating together. The MOBO Awards has always been a family reunion so there’s a massive void in its absence! The MOBOs have been a huge part of my career, so I look forward to their redevelopment in 2019.