1) Writing for me is a way to figure out what’s going on in my life. When I wrote DARLING GIRL, I gave the first draft to a friend to read and told her it was about Peter Pan. She gave it back a few weeks later and told me it definitely wasn’t — Peter Pan was IN the book, but he wasn’t at its heart. And after she said it I realized she was right. I was really trying to work through my kids growing up and creating their own lives. (But there’s still lots of bits with Peter Pan and Tink!)
2) Both my kids are great writers and I will often bounce ideas off of them. My daughter helped me come up with the ending for DARLING GIRL.
3) I spent a semester in England when I was in college and it was life-changing. I worked for an MP and learned and saw so much. You know how baby ducks imprint on people when their mother’s not around? I feel like I imprinted on England. I went back as often as I could until I had kids and then didn’t go for a looooong time. We finally took them two years ago and it was like seeing an old friend after time has passed — at first you don’t recognize them and have to squint a bit, but after a few days you pick up just like it was. It was great fun working some of my favorite London places into DARLING GIRL.
4) I’d never really had tea before I came to London — I drank hot black coffee, or iced coffee with loads of milk and sugar. The first time my boss asked me to make him a cup, I couldn’t find the microwave or a teabag and didn’t know what to do. He was appalled and gave me a whole lesson in the Proper Art of Making Tea. I now drink tea by the (large) pot every day, and I love my electric kettle. At least one of my characters in every book drinks tea.
5) I gave up my office to my husband during the pandemic when he had to work from home, so now I work in a renovated garden shed. It sounds charming, and it mostly is, but there’s no heat or insulation and I live in New England. I write there every day that is above twenty-five degrees Fahrenheit, armed with a space heater, fingerless gloves, a hat and jacket. Below twenty-five degrees, I wuss out and write at the kitchen table with noise-cancelling headphones.
6) The opening of both my novels came to me in dreams. It sounds weird, but I am a big believer in giving your brain a varied and high quality diet and then getting out of the way and seeing what happens. I keep a pen and notebook near my bed, but I almost never use it — if I have a really strong dream I usually remember it and jot it down in my planner and come back to it later when I’m looking for story ideas. DARLING GIRL started with a dream where a girl in a Wendy-blue dress was asleep in a stone tower, hooked up to all kinds of medical devices, while young boys flew in the windows and whispered things about her. That was a dream I wrote down immediately.
7)If I had to choose between being a reader and being a writer, it would be hard, but I’m a reader first and always. There’s lots of different ways to tell a story, and I like to think that no matter what, I’d find a way to do that. But being able to read and escape into another world is magic.
About Liz Michalski
Liz Michalski is the author of Evenfall and a contributor to Writer Unboxed, dubbed a “best of the best” website for writers by Writer’s Digest. DARLING GIRL is her second novel. Liz also contributed to Author in Progress, a manual for aspiring writers. A former reporter and editor, Liz now crafts articles on human interest, living, and health as a freelance writer. She lives with her family in Massachusetts, where she loves reading fairy tales and sometimes, writing them.
Visit Liz on her website and socials!
Website: lizmichalski.com
Twitter: @MichalskiLiz
Instagram: @lizmichalskiauthor
Facebook: @author.LizMichalski